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Workers on a distant planet are attacked by unknown lifeforms and forced to evacuate. Three of them are accidentally left behind and have only one chance of escape.
Research facility workers on a distant planet are exposed to attack by never before seen lifeforms when the security perimeter fence fails. Everyone is forced to evacuate, but three are accidentally left behind. Armed with machine guns, there is only one chance of escape for Carrie, Alan and Ross. Set in the future, Escape from Death Planet is a short, controlled burst of science fiction mayhem that combines live action with exciting computer generated creatures and digital special effects.



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A local rural thug who works for politicians, falls for a girl's love.
Thirunaal marks the comeback of Jiiva - Nayanthara combination after a long gap of ten years. It is also quite a while since we saw the duo in a completely rural based flick. Thirunaal, which had several postponements due to reasons unknown, has finally seen the limelight. <br/><br/>Thirunaal talks about the life of &#39;Blade&#39; (Jiiva) a local goon working for Naaga (Sharath Lohitashwa). He falls in love with Vidya (Nayanthara) and thereafter problems start arising from various corners for Blade. What are those problems? Is he able to face those? The film answers all these questions.<br/><br/>Jiiva&#39;s performance as Blade has been convincing. He fits in perfectly as a local rowdy in a rural backdrop, with his mannerisms and body language. Nayanthara is ravishingly beautiful as usual. She travels throughout the film, but doesn&#39;t have much scope to perform. Sharath Lohitashwa, gets a terrifying introduction, but as the movie progresses, he just falls flat. Joe Malloori, Karunaas, Gopinath, Muneeshkanth, and others do what is expected of them. Veteran writer and actor Jayabalan is wasted.<br/><br/>Right from the first shot of the film, we are indirectly told that the film is going to be action packed, but one might feel, there is too much of glamour and melodrama instead. As the movie progresses, we might witness many deja-vu moments. Not just that, the screenplay is predictable at many places. Few scenes do not have any connection with the story, and one might wonder about the need for those scenes. <br/><br/>There is everything you expect from a commercial film, the villain introduction, love proposal, romance song, baddie deeds of villain, glamour, love failure song, item song and a climax fight, but Thirunaal falls into the age-old template of rural action films with masala elements. Had the film come ten years ago, it might have worked a little better.<br/><br/>Srikanth Deva&#39;s songs and background score are decent. &#39;Pazhaya Soru&#39; needs a special mention as the song has earned a lot of fans. The cinematography is average, while the edit could have been crispier.<br/><br/>Director Ramnath has attempted to tell a message, but the message doesn&#39;t have an impact. He can be appreciated for giving the rurality feel throughout the movie. Having a set of talented cast in hand, the director could have made a great entertainer, but what we see is a run-of-the-mill drama.<br/><br/>Verdict: A rural flick that could have worked better had it been handled with an engaging screenplay


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Early 1900s. Crisis and debts force Jessi to break up with her boyfriend. She will even steal to survive.



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The chaotic aftermath of an alien attack has left most of the world completely incapacitated. In the six months since the initial invasion, the few survivors have banded together outside major cities to begin the difficult task of fighting back. Each day is a test of survival as citizen soldiers work to protect the people in their care while also engaging in an insurgency campaign against the occupying alien force.
Survivors of an alien attack on earth gather together to fight for their lives and fight back.
Spielberg&#39;s done this before with Saving Private Ryan– if a storyline makes for a good 2-hour movie, why not extend it into a series? Falling Skies is like a softer, less scary version of Spielberg&#39;s terrifying remake of War of the Worlds. It has a lot in common with other post-apocalyptic shows like Jeremiah, Jericho, and The Walking Dead, and borrows many concepts from them. Many reviewers are panning it for being too derivative or unoriginal, and I agree that it can be predictable and formulaic. It&#39;s not as creative as the much more ambitious Battlestar Galactica, Lost, or Sarah Connor. On the other hand, it is consistently well made and often eloquently written.<br/><br/>It has about three themes that it harps on repeatedly: the war against the alien occupation is akin to the American war for independence, family and tribal loyalty is important, and religion is a force that gives the survivors&#39; struggles meaning. The last one used to be a commonplace theme in American television up until the rise of premium cable TV in the 1980s (full frontal nudity made religion seem prudish), and it&#39;s kind of refreshing to see it make a comeback.<br/><br/>On the nitpicky side, it&#39;s odd to see people behaving so normally and even sloppily considering the menacing presence of superpowerful alien overlords and their war machines. That element of terror from War of the Worlds had been lost. Characters in, say, The Walking Dead are always conscious of things like noise and light discipline, always walking on pins and needles for fear of being discovered and consumed by the enemy. Is this only because a convoy of refugees wouldn&#39;t look a cinematic if they drove without their headlights on at night? (Spoiler) I suppose could be because the aliens say they aren&#39;t necessarily bent on complete genocide, as is revealed in season 2. Still, the tone of the show always seems a bit too easy-going considering the fall of civilization and near genocide. Maybe it&#39;s so the kids in the audience won&#39;t have to hide under the bed.<br/><br/>In any case, I can still recommend the show as above average Vancouver scifi. It won&#39;t knock your socks off, but it&#39;s good enough to keep me coming back for more.
I&#39;ll admit to being way behind on this series. I thought the previews looked good before season one aired, but I never got the chance to watch it. Now, having finally got around to watching it, I&#39;m glad I didn&#39;t have high hopes going in. <br/><br/>The series begins after an alien attack has wiped out the world&#39;s militaries and sent all of humanity underground. How they did this is really hard to say, because the aliens seem pretty darn incompetent. <br/><br/>The freedom fighters in this series travel in a large caravan up an open street in broad daylight. The aliens don&#39;t see them, apparently. The freedom fighters set up camps in groups of hundreds in the middle of towns that have already been destroyed by the aliens. The aliens don&#39;t find them, even though their ships are constantly flying over.<br/><br/>At the beginning of episode two, our small group of heroes sends a dog out onto the lawn of an armory as a decoy. Immediately an alien mech comes out and targets it. The stupid humans rush in and rescue the dog. The mech somehow fails to shoot anyone. The next day the humans decide to return to the armory anyway, so of course they only send 5 or 6 people. They get inside and manage to fire guns and yell at each other, yet it now takes several minutes before the mech shows up. It still fails to kill anyone. <br/><br/>The aliens in this series are convenient. They show up only when they need to, and they rarely ever manage to kill or hurt anyone. Our plucky young band of heroes get themselves into mess after mess and almost always get out of them. It&#39;s kind of like Hogan&#39;s Heroes with aliens, except Falling Skies is unintentionally funny. <br/><br/>When you add in the fact that every episode has to meet the Spielberg- mandated heartwarming moment quota, it gets pretty old. Dad hugs son, son wishes his mom was still alive, son gets a Rip-It for his birthday and everyone gathers around and watches and smiles as he rides it. The bad acting and sappy sentimentality further damage the already shaky suspension of disbelief problems.<br/><br/>And yet, I&#39;m still giving it a 4 out of 10 for at least being entertaining, in a bad B-movie sort of way.

Jeff We didnt have an image of her dying.. But Scarlett Byrne tweeted &quot;bye lexie&quot;.<br/><br/>What&#39;s the thing Tom was talking to? Who said &quot;the enemy of my enemy is my friend?&quot; A new Race? My take is that mechs are more efficient from a production standpoint. Less moving parts require less material and less energy to operate. They are machines (mostly at least) and therefore have the same economy of scale as any other machine. Then again, this is sci-fi where there are no limits. Well it looks like they finally threw in a reference to an new alien in the last few episodes, that the Volm acknowledged was the species that was earlier enslaved to become the Skitters. I&#39;m pretty sure the producers just threw than in at the end to make this question go away.
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Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in his power, he lies low under an assumed name in Vegas, performing cheap tricks and living off small-time gambling &quot;winnings.&quot; But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm.
A Las Vegas magician who can see into the future is pursued by FBI agents seeking to use his abilities to prevent a nuclear terrorist attack.
Saw NEXT last night, perhaps the first contemporary action thriller based on Philip K Dick&#39;s work. It&#39;s a sometimes thoughtful pic starring a subdued Nic Cage as a man who can see just two minutes into the future, occasionally more. Playing with time perception is something films are good at and NEXT has some effective moments, imaginative and well done against this conceit, but it is lumbered with the tired old &#39;stop the European terrorists on a countdown with the bomb&#39; idea as its main plot, introduced through some particularly clunky dialogue, especially jarring after the subtle opening scenes. The result is a schizophrenic film, with the most interesting moments (presumably those closest to Dick&#39;s original vision) occurring when Cage is reflecting and relating sadly to his paranormal predicament and emotions, whiles those least convincing are around the stunts, chases, or when nasty villains/tough heroes from the special forces brandish hi tech weaponry in clichéd acts of the drama strewn war on terror. At one moment the captured Cage is forced to watch TV with his eyes kept open, a scene which recalls the therapy in CLOCKWORK ORANGE. Director Lee Tamahori did the great ONCE WERE WARRIORS, and also the Bond DIE ANOTHER DAY. NEXT is a a good film but uneven enough in tone to suggest there&#39;s a quieter, more profound one trying to get out, away from the next explosive action sequence and the makers should have taken two minutes out of their day to find it.
Having read the short story (The Golden Man) several years ago I was surprised to learn that a film was being made of it. As details emerged it appeared to be only loosely based on the general concept but I was interested nonetheless as I always seem to enjoy Nicholas Cage&#39;s films.<br/><br/>Next borrows the concepts of 2-minute precognition and someone with such an ability being pursued but that&#39;s it. The writers made their lives easier by cheating a fair bit as he can see hours into the future by being in the presence of an attractive young woman, and can project his presence in one case (the car park rooftop). The film can still be enjoyable by overlooking these but it is indicative of the overall level of the film. It is slightly b-movieish with an old-school car interior scene but the moments of disbelief no longer suspended weren&#39;t numerous enough to ruin my enjoyment of the film.<br/><br/>Next gets a thumbs up from me but as a slightly quirky Nicholas Cage film than a science fiction film.
What starts out as a mildly diverting thriller blows itself to smithereens in the final reel.
The Golden Man a lot but the 2 main differences is that the book is set in a post-Apocalyptic america and the enemies are mutants not terrorists
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